• Federico Bencini

    Archetipi

    Archetipi

    BNCF_100
    Composition of monotypes on brass
    cm 35 x 35
    Price on request
    Zenosyne_30

    Zenosyne_30

    BNCF_30
    monotype on brass
    cm 35 x 35
    Euro 500
    Zenosyne_29

    Zenosyne_29

    BNCF_29
    monotype on brass
    cm 35 x 35
    Euro 500
    Zenosyne_05

    Zenosyne_05

    BNCF_05
    monotype on brass
    cm 35 x 35
    Euro 500
    Zenosyne_06

    Zenosyne_06

    BNCF_06
    monotype on brass
    cm 35 x 35
    Euro 500
    Zenosyne_19

    Zenosyne_19

    BNCF_19
    monotype on brass
    cm 35 x 35
    Euro 500
    Zenosyne_08

    Zenosyne_08

    BNCF_08
    monotype on brass
    cm 35 x 35
    500
    Archetipi_34

    Archetipi_34

    BNCF_34
    monotype on brass
    cm 35 x 35
    Euro 500
    Archetipi_35

    Archetipi_35

    BNCF_35
    monotype on brass
    cm 35 x 35
    Euro 500
    Zenosyne_11

    Zenosyne_11

    BNCF_11
    monotype on brass
    cm 35 x 35
    Euro 500
    Zenosyne_12

    Zenosyne_12

    BNCF_12
    monotype on brass
    cm 35 x 35
    Euro 500
    Zenosyne_02

    Zenosyne_02

    BNCF_02
    monotype on brass
    cm 35 x 35
    Euro 500
    Archetipi_36

    Archetipi_36

    BNCF_36
    monotype on brass
    cm 35 x 35
    Euro 500
    Archetipi_37

    Archetipi_37

    BNCF_37
    monotype on brass
    cm 35 x 35
    Euro 500
    Archetipi_38

    Archetipi_38

    BNCF_38
    monotype on brass
    cm 35 x 35
    Euro 500
    Archetipi_39

    Archetipi_39

    BNCF_39
    monotype on brass
    cm 35 x 35
    Euro 500
    Archetipi_40

    Archetipi_40

    BNCF_40
    monotype on brass
    cm 35 x 35
    Euro 500
    Archetipi_42

    Archetipi_42

    BNCF_42
    monotype on brass
    cm 35 x 35
    Euro 500
    Archetipi_43

    Archetipi_43

    BNCF_43
    monotype on brass
    cm 35 x 35
    Euro 500
    Federico Bencini

    Federico Bencini

    Federico Bencini, Siena 1972, lives and works in Barcelona

    My artistic research is based on the use of pictorial panels of various sizes, consisting of combinations of waste materials such as paper, iron, copper, brass, magnets and wood. The pieces I work on are designed to be freely juxtaposed, making the spectator free to participate, within a new perspective of individual and/or collective knowledge, allowing the viewer in the condition of "playing" in a versatile way.